{"id":463,"date":"2026-05-21T08:34:22","date_gmt":"2026-05-21T08:34:22","guid":{"rendered":"https:\/\/charlotterelocationguide.com\/?p=463"},"modified":"2026-05-21T08:34:22","modified_gmt":"2026-05-21T08:34:22","slug":"review-journey-stages-farewell-tour-in-charlotte-then-says-see-you-guys-again-2","status":"publish","type":"post","link":"https:\/\/charlotterelocationguide.com\/?p=463","title":{"rendered":"Review: Journey stages farewell tour in Charlotte, then says \u2018see you guys again\u2019"},"content":{"rendered":"

For about 20 minutes Wednesday night at Spectrum Center, Journey flirted with becoming a prog-rock support act for itself.<\/p>\n

Read more 4 North Carolina cities rank among \u2018America\u2019s safest.\u2019 Here\u2019s where<\/a><\/p>\n

With eight of 24 songs checked off the setlist, founding guitarist Neal Schon announced that the band was about to play \u201cone of the first songs we wrote together\u201d: \u201cOf a Lifetime,\u201d a moody, gritty selection from Journey\u2019s pre-Steve Perry era. Large chunks of the crowd promptly sat down for the first time all night. Others drifted toward the concourse in search of beer, bathrooms or both.<\/p>\n

Then Schon launched into an extended cosmic guitar workout during \u201cLa Do Da,\u201d while psychedelic galaxy visuals drifted across the giant video screens behind him. His face cycled through expressions ranging from pained to orgasmic.<\/p>\n

And yet somehow, Journey kept winning the crowd back.<\/p>\n

That\u2019s because in 2026, the six guys on stage repping that winged scarab beetle logo no longer really function as a traditional rock band. They function as a carefully maintained delivery system for one of the most durable catalogs in arena-rock history. And Wednesday night\u2019s two-hour-and-21-minute \u201cFinal Frontier Tour\u201d stop in Charlotte revealed both how fragile and how strangely resilient that machine has become.<\/p>\n

Before the show, the concourses were filled with fans sporting vintage concert tees from bands like The Allman Brothers, Ratt, Skid Row and Electric Light Orchestra, while gray-haired attendees fumbled adorably with their phones trying to line up selfies and group photos.<\/p>\n

Up on the giant screen behind the stage, a countdown clock ticked toward zero over a swirling galaxy filled with floating planets. With a little over a minute left before showtime, The Who\u2019s \u201cBaba O\u2019Riley\u201d crashed through the loudspeakers.<\/p>\n

Then at 7:45 p.m. sharp, Journey emerged to \u201cBe Good to Yourself,\u201d with Arnel Pineda \u2014 since 2007 the band\u2019s wildly enthusiastic Filipino frontman \u2014 instantly springing into action.<\/p>\n

To call what the 58-year-old singer did over the course of the night \u201cenergetic\u201d would be underselling it considerably.<\/p>\n

He twirled his microphone stand like a samurai sword. He bounded around the stage with the tireless enthusiasm of somebody who had just downed five too many Red Bulls. He leaped off risers. He spun. He crouched. He airplaned the mic stand. He smiled constantly. He did a lap around the floor section, handing out high-fives like Halloween candy.<\/p>\n

Pineda\u2019s energy is so much goofier and bubblier than anyone else\u2019s in Journey that, at one point, I found myself wondering whether the famously outspoken Schon ever looks over at the antics and suddenly can\u2019t remember exactly where, how, or why<\/i> this guy is in the band.<\/p>\n

But Pineda\u2019s sheer joy may now be the thing keeping Journey emotionally afloat. It\u2019s his vocal performance these days that\u2019s more complicated.<\/p>\n

At times, his voice sounded genuinely strong, especially during \u201cOpen Arms\u201d and \u201cFaithfully.\u201d At others, the vocals got swallowed by a muddy soundboard mix, or revealed signs of strain. More than once, it felt as if Pineda had the shape<\/i> of the songs but not full, true command<\/i> of them \u2014 embodying the outlines of Perry\u2019s legendary melodies while pulling back from some of the more punishing vocal acrobatics.<\/p>\n

This might explain why the shifting lead-singing duties on Wednesday night often felt designed as much around preserving Pineda\u2019s voice as around rewarding hardcore fans.<\/p>\n

Drummer Deen Castronovo capably handled singing \u201cLights\u201d and \u201cKeep On Runnin\u2019.\u201d Keyboardist Jason Derlatka took the lead on \u201cGirl Can\u2019t Help It,\u201d \u201cSuzanne\u201d and \u201cOf a Lifetime.\u201d Jonathan Cain, who handles keyboards and some rhythm guitar, sang \u201cAnytime.\u201d During these stretches, Pineda frequently disappeared from the stage entirely (or stood way off to the side shaking a tambourine) before eventually returning to hurl himself around again.<\/p>\n

The crowd response during those deeper cuts was<\/i> telling. While hardcore fans likely appreciated them, casual fans mostly seemed to appreciate the opportunity to sit down for a few minutes and check their phones.<\/p>\n

But once the hits arrived, with Pineda in the driver\u2019s seat, the arena transformed.<\/p>\n

Read more Review: At 74, Sting took some unusual gambles in Charlotte. Did they pay off?<\/a><\/p>\n

The opening piano notes of \u201cOpen Arms\u201d triggered one of the night\u2019s biggest roars. During \u201cFaithfully,\u201d intermission throughout the building was effectively over, the concourse traffic vanishing as thousands of fans swayed and bellowed the song\u2019s famous \u201cwhoa-oh-oh<\/i>\u201d refrain back toward the stage. As the intro to \u201cDon\u2019t Stop Believin\u2019\u201d kicked in, phones rose throughout the arena like candles at a vigil.<\/p>\n

Those songs, incidentally, barely even belong to Journey anymore at this point. They belong to everybody.<\/p>\n

Which is part of what made the onstage dynamic so fascinating to watch.<\/p>\n

Journey\u2019s modern history has been filled with lawsuits, lineup turnover and public tension \u2014 particularly between Schon and Cain. So on Wednesday night, I found myself paying close attention to the interactions between the two veteran bandmates.<\/p>\n

Or, whenever I could<\/i>, at least. It was hard not to take my eyes off Schon, the night\u2019s most formidable musician.<\/p>\n

Now 72, the guitarist still attacked solos with startling intensity, ripping lightning-fast runs and snarling riffs out of his guitar while making those wonderfully unselfconscious faces. Whatever physical aging may be occurring on the rest of him, his hands don\u2019t appear especially interested in participating.<\/p>\n

But whenever he ventured from his post on the right side of the stage toward Cain\u2019s grand piano on the left, I started firing up my own fingers so I could type furiously in my Notes app.<\/p>\n

At one point early in the night, during \u201cOnly the Young,\u201d Cain left his piano with his guitar and Schon shifted over so that they were just eight feet apart. Cain looked over at Schon for several seconds as if hoping to catch his gaze during a guitar break, but unless I blinked and missed it, Schon never looked back. Later, though, during both \u201cKeep On Runnin\u2019\u201d and \u201cWheel in the Sky,\u201d the men stood shoulder to shoulder and jammed like old friends.<\/p>\n

Some of the pair\u2019s attempts at projecting togetherness felt oddly moving. Others felt performative. It was likely a little of both.<\/p>\n

Still, most fans probably don\u2019t particularly care whether Journey\u2019s internal dynamics are harmonious or frosty. They\u2019re simply grateful the band has managed to coexist for this long at all, considering plenty of classic-rock institutions have imploded far earlier.<\/p>\n

And speaking of stamina, the band saved some of its fiercest momentum for the closing run of \u201cFaithfully,\u201d \u201cDon\u2019t Stop Believin\u2019,\u201d \u201cLovin\u2019, Touchin\u2019, Squeezin\u2019,\u201d \u201cSeparate Ways (Worlds Apart)\u201d and \u201cAny Way You Want It.\u201d<\/p>\n

Then at 10:04 p.m. \u2014 bless these aging rock stars and their increasingly civilized bedtimes \u2014 Journey closed things out beneath a shower of confetti, streamers, and thunderous applause.<\/p>\n

It was billed as a farewell tour, and if this truly was the end, it was a pleasing way for the guys to go out. But just before the six musicians gathered for their final bow, Pineda shouted something that sounded considerably less final than the tour marketing.<\/p>\n

\u201cI\u2019ll see you guys again,\u201d he promised, in his distinctive Filipino accent. \u201cWe cross our paths again one day, okay?\u201d<\/p>\n

And I\u2019ve got to believe that if Schon and Cain can keep it civil \u2014 and keep playing like this while pushing toward 80 \u2014 with Journey, anything is possible.<\/p>\n

Read more Why KU coach Bill Self felt \u2018helpless\u2019 before doctor\u2019s meeting that led to return<\/a><\/p>\n

1. \u201cBe Good to Yourself\u201d<\/p>\n

2. \u201cStone in Love\u201d<\/p>\n

3. \u201cAsk the Lonely\u201d<\/p>\n

4. \u201cJust the Same Way\u201d<\/p>\n

5. \u201cGirl Can\u2019t Help It\u201d<\/p>\n

6. \u201cOnly the Young\u201d<\/p>\n

7. \u201cLights\u201d<\/p>\n

8. \u201cSend Her My Love\u201d<\/p>\n

9. \u201cOf a Lifetime\u201d<\/p>\n

10. \u201cLa Do Da\u201d<\/p>\n

11. \u201cEscape\u201d<\/p>\n

12. \u201cChain Reaction\u201d<\/p>\n

13. \u201cDead or Alive\u201d<\/p>\n

14. \u201cAnytime\u201d<\/p>\n

15. \u201cWho\u2019s Crying Now\u201d<\/p>\n

16. \u201cOpen Arms\u201d<\/p>\n

17. \u201cKeep On Runnin\u2019\u201d<\/p>\n

18. \u201cSuzanne\u201d<\/p>\n

19. \u201cWheel in the Sky\u201d<\/p>\n

20. \u201cFaithfully\u201d<\/p>\n

21. \u201cDon\u2019t Stop Believin\u2019\u201d<\/p>\n

22. \u201cLovin\u2019, Touchin\u2019, Squeezin\u2019\u201d<\/p>\n

23. \u201cSeparate Ways (Worlds Apart)\u201d<\/p>\n

24. \u201cAny Way You Want It\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"

Concert review: Rock band Journey with Arnel Pineda and Neal Schon brings Final Frontier tour show to Spectrum Center arena in Charlotte NC. With setlist.<\/p>\n","protected":false},"author":1,"featured_media":455,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-463","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-read-todays-edition"],"yoast_head":"\nReview: Journey stages farewell tour in Charlotte, then says \u2018see you guys again\u2019 - \u0421harlotte Relocation Guide<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/charlotterelocationguide.com\/?p=463\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Review: Journey stages farewell tour in Charlotte, then says \u2018see you guys again\u2019 - \u0421harlotte Relocation Guide\" \/>\n<meta property=\"og:description\" content=\"Concert review: Rock band Journey with Arnel Pineda and Neal Schon brings Final Frontier tour show to Spectrum Center arena in Charlotte NC. 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