{"id":1356,"date":"2026-06-10T09:04:29","date_gmt":"2026-06-10T09:04:29","guid":{"rendered":"https:\/\/charlotterelocationguide.com\/?p=1356"},"modified":"2026-06-10T09:04:29","modified_gmt":"2026-06-10T09:04:29","slug":"review-post-malones-delayed-tour-kicked-off-in-charlotte-was-it-worth-the-wait","status":"publish","type":"post","link":"https:\/\/charlotterelocationguide.com\/?p=1356","title":{"rendered":"Review: Post Malone\u2019s delayed tour kicked off in Charlotte. Was it worth the wait?"},"content":{"rendered":"

The following story discusses suicide. If you or someone you know is experiencing a crisis, help is available. In the U.S., you can call or text 988 to reach the Suicide & Crisis Lifeline, or visit 988lifeline.org<\/a> for confidential support.<\/i><\/p>\n

Read more Man with knife on Charlotte light rail argued with others before exiting<\/a><\/p>\n

It was shaping up to be the stuff tabloids are made of.<\/p>\n

Last month, Post Malone canceled six stops<\/a> on his 2026 Big Ass Stadium Tour with Jelly Roll because \u2014 he explained at the time \u2014 he needed to finish his upcoming 40-track double album, \u201cThe Eternal Buzz.\u201d Then last week, he generated another round of headlines when a viral video showed him displaying what some interpreted as bizarre behavior<\/a> during a performance.<\/p>\n

So when the tour finally kicked off Tuesday night at Bank of America Stadium, plenty of eyes were watching for signs of trouble.<\/p>\n

Instead, Charlotte got nearly three and a half hours of music from two wildly different performers who arrived at the same destination by completely different roads \u2014 Post Malone with his cigarettes and endless fan interaction, and Jelly Roll with his sermons on generational trauma and second chances.<\/p>\n

Well, three<\/i> wildly different performers, actually.<\/p>\n

The evening began with Davidson native Carter Faith taking the stage in a Carolina Panthers-blue minidress and leopard-print heels to face one of the toughest assignments in live music: trying to command a football stadium that was still filling up.<\/p>\n

For a singer who played Charlotte\u2019s Neighborhood Theatre less than three months ago, simply standing on a stage inside a venue built for 75,000 represented a remarkable leap.<\/p>\n

But while Faith\u2019s voice never seemed overwhelmed by the setting, her stage presence occasionally did.<\/p>\n

The singer-songwriter appeared polished and professional throughout, but never quite found the personal connection that might have transformed a hometown opening slot into a memorable hometown moment, largely treating the biggest Charlotte performance of her career like any other stop on the tour.<\/p>\n

Still, the soon-to-be-26-year-old sang confidently on her own songs (highlight: \u201cGrudge,\u201d with a refrain that includes the priceless line \u201cI\u2019m pretty sure that even Jesus thinks that you\u2019re a b—-\u201d) and delivered a handful of well-chosen covers, including James Taylor\u2019s \u201cCarolina in My Mind\u201d and a breezy country reimagining of Britney Spears\u2019 \u201cOops!… I Did It Again.\u201d<\/p>\n

And near the end of her set, Faith finally let her guard down, declaring the chance to open in this situation \u201ca dream come true\u201d \u2014 and very clearly meaning it.<\/p>\n

If Faith spent much of her set trying to establish a connection, Jelly Roll forged one almost instantly.<\/p>\n

Dressed almost entirely in black clothes more suitable for winter despite temperatures still hovering in the 80s, the 41-year-old singer bounded onstage and immediately established a tone that was equal parts concert, confessional and motivational speech.<\/p>\n

Few artists have traveled a longer road to a stadium stage than Jelly Roll, who spent years battling addiction and legal trouble before reinventing himself as one of country music\u2019s most unlikely success stories. He\u2019s also unapologetically faith-focused, so it was no surprise that the long-sleeved black workshirt he wore Tuesday night was emblazoned on the front with Jeremiah 27:11 and on the back with this message:<\/p>\n

\u201cThe windshield is bigger than the rearview mirror for a reason, because what\u2019s in front of you is so much more important than what\u2019s behind you.\u201d<\/p>\n

What did come out of left field, though, was his revelation that he almost missed opening night.<\/p>\n

It surfaced after Jelly Roll \u2014 who has openly discussed attempting to take his own life twice by drug overdose during years marked by severe depression, addiction and time spent in and out of jail \u2014 spotted a sign in the floor section that read, \u201cI\u2019m Not OK \u2014 Suicide Survivor.\u201d<\/p>\n

\u201cBecause you were brave enough to hold that sign up and be that vulnerable,\u201d he told the man holding it Tuesday night, \u201cI want to be vulnerable to tell you I\u2019ve had a really, really, really bad couple of weeks, and I have felt like (expletive), and I went to the hospital right before I got here, and I have the worst sinus infection I\u2019ve ever had.<\/p>\n

\u201cI barely made it to this show,\u201d he continued. But \u201cthat sign is the reason I couldn\u2019t miss this show.\u201d<\/p>\n

Then he dedicated his raw mental-health anthem \u201cI\u2019m Not Okay\u201d to the fan.<\/p>\n

Jelly Roll was equally adept at the lighter moments. After a late-set medley that somehow wandered through the Black Eyed Peas, Creed, TLC, Snoop Dogg, Rage Against the Machine and ended with the Backstreet Boys\u2019 \u201cI Want It That Way,\u201d he cracked: \u201cI think that\u2019s my favorite part of the show. I (get to) watch some of the toughest, tattooed, biggest, bearded men on earth turn into a Backstreet Boy by the end of that.\u201d<\/p>\n

The most impressive thing about his set, however, may have been how little the illness seemed to affect his performance. His booming voice remained largely intact, particularly on \u201cNeed a Favor\u201d and \u201cSon of a Sinner.\u201d<\/p>\n

Read more 2026 primary election: Results for governor, local races on Lancaster County ballots<\/a><\/p>\n

It\u2019s among the things concertgoers likely will still be talking about Wednesday, along with another sobering moment \u2014 his impassioned meditation on breaking generational curses, in which he argued that people are not doomed to repeat the mistakes of their parents and grandparents.<\/p>\n

But while Jelly Roll often sounded like a preacher delivering a sermon, Post Malone approached those same themes like the friendliest guy at the end of the bar.<\/p>\n

When the affable headliner finally emerged at 9:33 p.m. \u2014 barefoot, cigarette in one hand and a Solo cup in the other \u2014\u00a0he wasn\u2019t necessarily the more compelling performer.<\/p>\n

But he was unquestionably the bigger star.<\/p>\n

The production was enormous, unleashing blasts of fire so intense that fans 100 yards away could feel the heat and enough fireworks to briefly make Bank of America Stadium feel like the Fourth of July.<\/p>\n

The setlist was a relentless parade of hits that included \u201cGoodbyes,\u201d \u201cPsycho,\u201d \u201cWow.,\u201d \u201cCongratulations\u201d and \u201cRockstar,\u201d with the strongest moments coming during the songs that have followed Malone across multiple genres and reinventions \u2014 \u201cCircles\u201d generated one of the night\u2019s loudest singalongs, \u201cI Fall Apart\u201d remained surprisingly affecting, and penultimate song \u201cSunflower\u201d had people dancing in their seats even though it was past 11.<\/p>\n

And unlike the internet rumors that had swirled around him in recent weeks, Post looked energetic throughout much of the nearly two-hour set.<\/p>\n

He strutted. He crouched. He screamed choruses. He walked repeatedly into the crowd. He dropped for a set of pushups during \u201crockstar.\u201d At one point he climbed into a giant elevated cage above the audience for \u201cCongratulations.\u201d<\/p>\n

Most notably, the moment that had recently fueled concern online looked far more theatrical in person than alarming.<\/p>\n

After \u201cDead at the Honky Tonk,\u201d Post pretended to collapse to the ground and after pulling himself into a seated position spent an oddly extended amount of time smoking a cigarette and staring into space. But within the context of the show, the sequence read as a performance choice rather than evidence of some unfolding crisis.<\/p>\n

At the same time, Post remains a fascinatingly odd frontman.<\/p>\n

He can be deeply likable without being particularly charismatic. He often sounds like he\u2019s making up his stage banter as he goes. His speeches tend to circle the same themes \u2014 perseverance, self-belief, gratitude \u2014 without ever landing with the precision Jelly Roll\u2019s display.<\/p>\n

The sentiments were sincere. They just weren\u2019t especially memorable.<\/p>\n

There were other disappointments, too: A fan-participation segment during \u201cFeeling Whitney\u201d dragged on far too long and felt self-indulgent enough to cost the audience another song; and because Jelly Roll was apparently under the weather, fans were denied the expected duet on \u201cLosers,\u201d one of the more anticipated collaborations of the evening.<\/p>\n

But otherwise, Post\u2019s music largely delivered. So did his generosity.<\/p>\n

Which is to say that for all of Jelly Roll\u2019s superior storytelling and stagecraft, Post demonstrated something else entirely during the show\u2019s closing moments.<\/p>\n

Long after the final song ended, he lingered to spend time with fans.<\/p>\n

He signed boots. He signed hats. He signed shirts. He signed photos. He signed skin. He hugged fans. He grabbed phones and took selfies. He worked one side of the stadium. Then the other.<\/p>\n

House lights came up. Security was no doubt antsy to call it a night and go home. Post Malone kept smiling and shaking hands.<\/p>\n

Jelly Roll may be the more thoughtful performer. He may be the sharper speaker, the better storyteller and the artist with the clearer sense of identity. But Post Malone possesses something increasingly rare at the stadium level: an almost desperate desire to make every fan feel personally appreciated.<\/p>\n

On a night that officially launched a delayed tour and featured enough pyrotechnics to light up half of Charlotte, the most revealing moment wasn\u2019t a song at all.<\/p>\n

It was watching a global superstar who seemed to be having too much fun to leave.<\/p>\n

1. \u201cTexas Tea\u201d<\/p>\n

2. \u201cWow.\u201d<\/p>\n

3. \u201cBetter Now\u201d<\/p>\n

4. \u201cWrong Ones\u201d<\/p>\n

5. \u201cGo Flex\u201d<\/p>\n

6. \u201cHollywood\u2019s Bleeding\u201d<\/p>\n

7. \u201cI Fall Apart\u201d<\/p>\n

8. \u201cLosers\u201d<\/p>\n

9. \u201cGoodbyes\u201d<\/p>\n

10. \u201cWhat Don\u2019t Belong to Me\u201d<\/p>\n

11. \u201cI Ain\u2019t Comin\u2019 Back\u201d<\/p>\n

12. \u201cFeeling Whitney\u201d<\/p>\n

13. \u201cStay\u201d<\/p>\n

14. \u201cCircles\u201d<\/p>\n

15. \u201cWhite Iverson\u201d<\/p>\n

16. \u201cPsycho\u201d<\/p>\n

17. \u201cPour Me a Drink\u201d<\/p>\n

18. \u201cDead at the Honky Tonk\u201d<\/p>\n

19. \u201crockstar\u201d<\/p>\n

20. \u201cI Had Some Help\u201d<\/p>\n

21. \u201cSunflower\u201d<\/p>\n

22. \u201cCongratulations\u201d<\/p>\n

1. \u201cHands Up\u201d<\/p>\n

2. \u201cHard Fought Hallelujah\u201d (Brandon Lake cover)<\/p>\n

3. \u201cLiar\u201d<\/p>\n

4. \u201cSon of a Sinner\u201d<\/p>\n

5. \u201cAmen\u201d<\/p>\n

6. \u201cBloodline\u201d \/ \u201cWake Me Up\u201d<\/p>\n

7. \u201cGood Riddance (Time of Your Life)\u201d \/ \u201cWild Ones\u201d<\/p>\n

8. \u201cLonely Road\u201d \/ \u201cTake Me Home, Country Roads\u201d<\/p>\n

9. \u201cI Am Not Okay\u201d<\/p>\n

10. \u201cWhere is the Love\u201d \/ \u201cHigher\u201d \/ \u201cNo Scrubs\u201d \/ \u201cDrop it like it\u2019s Hot\u201d \/ \u201cKilling in the Name\u201d \/ \u201cI Want It That Way\u201d<\/p>\n

Read more 2026 primary election: Results for governor, local races on the York County ballots<\/a><\/p>\n

11. \u201cNeed a Favor\u201d<\/p>\n

12. \u201cSave Me\u201d<\/p>\n

This story was originally published June 10, 2026 at 4:38 AM.<\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

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