{"id":1220,"date":"2026-06-05T07:35:00","date_gmt":"2026-06-05T07:35:00","guid":{"rendered":"https:\/\/charlotterelocationguide.com\/?p=1220"},"modified":"2026-06-05T07:35:00","modified_gmt":"2026-06-05T07:35:00","slug":"harpo-marx-finally-speaks-with-a-little-help-from-the-avett-brothers-record-label","status":"publish","type":"post","link":"https:\/\/charlotterelocationguide.com\/?p=1220","title":{"rendered":"Harpo Marx finally speaks, with a little help from The Avett Brothers\u2019 record label"},"content":{"rendered":"

A long-lost recording of the eternally silent Harpo Marx<\/a> has resurfaced after half a century. Turns out, he\u2019ll actually get the last word in over brothers Groucho<\/a>, Chico and even Zeppo.<\/p>\n

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And some folks in the Charlotte area helped make it happen. They are among the team behind the June 5 release of the album, \u201cHarpo Speaks! The Riverside Symphony Concert<\/a>\u201d \u2014 a new Marx Brothers<\/a> project decades after Harpo\u2019s death and the only official recording of him talking,<\/a> according to Harpo\u2019s son.<\/p>\n

Dolphus \u201cDolph\u201d Ramseur\u2019s<\/a> independent record label in Davidson, Ramseur Records<\/a>, is releasing the album. And Charlotte photographer Daniel Coston<\/a> is one of the co-producers.<\/p>\n

In a nod to the Marx Brothers\u2019 anarchic spirit, Ramseur announced the project on April 1. But this was no monkey business April Fool\u2019s joke.<\/p>\n

\u201cI just felt like that would\u2019ve been the kind of thing the Marx Brothers would\u2019ve done. That was kind of a little tip of the hat,\u201d said Ramseur, who also manages another beloved brother act, the Concord-based Avett Brothers<\/a>.<\/p>\n

The occasion for Harpo speaking was a benefit concert for the Riverside Symphony in California on March 20, 1964. Harpo played the harp with the orchestra, narrated Prokofiev\u2019s children\u2019s symphony \u201cPeter and the Wolf\u201d and even gave a short speech at the end.<\/p>\n

He\u2019d die half a year later at age 75, making his appearance all the more poignant. That evening was the last time Harpo performed in character in public.<\/p>\n

\u201cI don\u2019t think there\u2019s much chance of finding any more significant piece of Marx history than this going forward,\u201d said album co-producer and Marx Brothers historian and author Robert S. Bader<\/a>.<\/p>\n

Here then is a serendipitous tale worthy of a day at the races or a night at the opera. We\u2019ll also meet the writer of \u201cHello Muddah, Hello Fadduh<\/a> (the Camp Granada Song).\u201d And Richard Nixon gets a shout-out, too.<\/p>\n

But mostly, this is a tribute to the comedic spirit of Harpo and his brothers, and of a son\u2019s devotion to that legacy. Harpo\u2019s son and frequent collaborator, composer Bill Marx<\/a>, was executive producer of the album.<\/p>\n

In a recent interview with The Charlotte Observer from his southern California home, 89-year-old Bill Marx spoke of the thrill of hearing his dad\u2019s low-pitched voice again. He hoped the project would serve to introduce his famous father and uncles to a new generation of fans.<\/p>\n

\u201cI really honestly believe that what we need now in the world is more positive stuff,\u201d Bill Marx said. And, he added, there wasn\u2019t a more positive person he knew than his dad.<\/p>\n

When the Marx Brothers were starting out in vaudeville in the early 20th century, Harpo spoke. And sang. Just not very well.<\/p>\n

Eventually, he began developing his silent character and his own brand of physical humor. Away from the stage and silver screen, Harpo talked plenty. His wife, Susan Marx, would joke that once you got him started, he wouldn\u2019t shut up.<\/p>\n

But he rejected plenty of lucrative offers over his career to speak a line or two, Bader said. Harpo had no interest in tearing down a character that he had built up over the decades.<\/p>\n

After suffering a series of mild heart attacks by the early 1960s, Harpo limited his public appearances to a pair of causes that remained dear to him, Bader said: Speeches for the United Jewish Appeal<\/a> (Harpo had reconnected with his Jewish heritage following a trip to Israel in 1963) and fundraisers for symphony orchestras.<\/p>\n

A friend and neighbor, the comedian and Camp Grenada song author Allan Sherman, suggested Harpo do a couple symphony charity events, including in Pasadena, California. Sherman\u2019s son, Robert, ended up recording that 1963 Pasadena benefit.<\/p>\n

For the 1964 show at Riverside Municipal Auditorium, the guest conductor was introduced as \u201cthe great Italian maestro from Milan, Umberto Harpolini.\u201d Among the compositions he played on the harp was a medley with \u201cFly Me to the Moon\u201d and \u201cHow High the Moon\u201d that Bill Marx had arranged.<\/p>\n

When it was time to start narrating, Harpo reached into his trench coat and pulled out the one item he never had deployed before \u2014 his reading glasses.<\/p>\n

\u201cBelieve it or not,\u201d Harpo said, then paused, whistled twice and continued, \u201cI\u2019m gonna talk.\u201d<\/p>\n

And talk he did. His native New York accent came out often, such as when he mentioned \u201cthe boid,\u201d \u201cPeedah,\u201d or \u201cthe huntah.\u201d<\/p>\n

Harpo and Groucho had collaborated on writing the narration, which might explain a random contemporary political reference that got a big laugh.<\/p>\n

Peter was leading the captured wolf to the zoo, Harpo said: \u201cPeter at the head. After him, the hunters leading the wolf, then Goldwater, Rockefeller and Nixon…\u201d \u2014 the leading candidates for the 1964 GOP presidential nomination.<\/p>\n

Harpo concluded the evening with one final \u201cRed\u2019s Speech.\u201c That was a nod to the occasional brief talk he\u2019d give at the end of a show during the Marx Brothers\u2019 touring days, and a reference to the red wig he wore on stage.<\/p>\n

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In Riverside, Harpo congratulated the audience \u201cfor the keenness and perspicacity which you have shown in recognizing true genius.\u201d<\/p>\n

And that was that. Until about six or seven years ago.<\/p>\n

As a teenager, John Tefteller<\/a> worked for Groucho Marx as an archivist and audio engineer. He has maintained a lifelong interest in the comedy group, in addition to being a rare record collector. A few years ago, Tefteller reached out to Robert Sherman hoping to locate Harpo\u2019s Pasadena tape in his archives.<\/p>\n

They went digging and eventually found a box marked \u201cPasadena.\u201d But inside was the recording of Harpo\u2019s later Riverside performance, even though Sherman had no recollection of recording it.<\/p>\n

\u201cIt was just a serendipitous, crazy thing that happened,\u201d Bader said. \u201cThis is truly his last performance … in this character that he created in the vaudeville era, and now we\u2019re in the mid-1960s.\u201d<\/p>\n

After Bader realized the tapes were in good enough shape to restore, he approached Bill Marx about the project. They\u2019d been friends for a long time, and Bill Marx quickly said yes. Tefteller also came on board as a co-producer. His son, Joel Tefteller and Nick Bergh got to work on restoring the audio with cutting-edge tech.<\/p>\n

At some point when Harpo was speaking, he had wandered away from the microphone, and it took some digital magic to ensure he could be clearly heard.<\/p>\n

As Bader noted, in Harpo\u2019s long career, nobody had ever told him to move closer to the mic.<\/p>\n

Now the team needed somebody to make the album. That\u2019s where Coston, the Charlotte event photographer, comes in.<\/p>\n

He had known Bader for several years, and Bader reached out in fall 2024 asking if he could help get a deal to make the album happen. Coston was psyched, having been a longtime Marx Brothers fan.<\/p>\n

\u201cThere\u2019s still this kid inside me that goes, \u2018You grew up to become a Marx Brothers producer,\u2019 \u201d Coston said. \u201cIt\u2019s one of those dream gigs.\u201d<\/p>\n

He got up with Ramseur, whom he knew from taking photos for some Avett Brothers albums. Ramseur was a quick yes too, and got into the spirit of the project. \u201cI\u2019ve always worked with things that have been a little bit eclectic,\u201d Ramseur said.<\/p>\n

And growing up in the Charlotte area, he recalled flipping on the TV to Channel 18 on weekends, especially Sundays after church, and catching a Marx Brothers movie or another black-and-white comedy.<\/p>\n

Working on the Harpo album felt special. \u201cThis project sort of pulled at the heart strings,\u201d Ramseur said. \u201cThis is not a moneymaker by any means. But sometimes, you know, you just feel like these things need to be done.<\/p>\n

\u201cThe main goal was, let\u2019s just do it the right way.\u201d<\/p>\n

Bader was grateful for Ramseur Records\u2019 commitment to and understanding of the project right from the start. \u201cI want to offer him a Chico record and a Groucho record, so he could have The Avett Brothers<\/a> and the Marx Brothers,\u201d Bader added, chuckling.<\/p>\n

So what\u2019s next?<\/p>\n

\u201cHarpo Speaks!<\/a> The Riverside Symphony Concert\u201d will be available on major streaming platforms and in independent record stores as a CD or vinyl record. The album cover includes an evocative 1950s-style \u201cStereo Outstanding High Fidelity Recordings\u201d banner across the top above a color photo of Harpo.<\/p>\n

Ramseur\u2019s eager to spread the word about the project. \u201cIt\u2019s a sentimental type release,\u201d he said, \u201cand I\u2019m honored to help get it out into the world.\u201d<\/p>\n

He reached out to magicians Penn and Teller, since Teller never speaks on stage, and sent a copy to the director Judd Apatow, who had co-directed an Avett Brothers documentary.<\/a> Ramseur is also trying to reach a couple Hollywood types who might\u2019ve known Harpo, 100-year-old Dick Van Dyke and soon-to-be-100 Mel Brooks.<\/p>\n

And Coston\u2019s hosting a release party at VisArt in Charlotte June 16 at 7:30 p.m.<\/p>\n

Bader believes Harpo would\u2019ve been grateful that people remained appreciative of him and his brothers well over a century after they got their start.<\/p>\n

\u201cHe used to say this himself, that he was just a great big ham, and wanted to be out there making people laugh and smile,\u201d Bader said. \u201cAnd this (album) is him continuing to do it.\u201d<\/p>\n

Bill Marx agreed.<\/p>\n

He still talks to his dad every day, when he\u2019s in his house or walking by a painting that Harpo made. He said Harpo had given his blessing for the project, thrilled that people still cared.<\/p>\n

\u201cIt\u2019s wonderful to hear the laughter of a new generation,\u201d the son of Harpo Marx said, \u201cbecause that is our greatest weapon.\u201d<\/p>\n

Want to see more stories like this? Sign up here<\/a> for our free, award-winning \u201cInside Charlotte Arts\u201d newsletter: charlotteobserver.com\/newsletters. And you can join our Facebook group, \u201cInside Charlotte Arts,\u201d by going here<\/a>: facebook.com\/groups\/insidecharlottearts.<\/p>\n

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This story was originally published June 4, 2026 at 5:00 AM.<\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

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